| No |
Date |
Title |
√ |
× |
Total |
| 683 |
15/04/1943 |
Towns |
5+ |
– |
– |
| 691 |
10/06/1943 |
Ten Characters in Search of their Authors |
5+ |
– |
– |
| 700 |
12/08/1943 |
Topped and Tailed |
5+ |
– |
– |
| 709 |
14/10/1943 |
Untied Anagrams |
5+ |
– |
– |
| 739 |
11/05/1944 |
Pig in a Poke |
5+ |
– |
– |
| 747 |
06/07/1944 |
Colourless |
2 |
– |
– |
| 769 |
07/12/1944 |
Literary Curiosity |
5+ |
– |
– |
| 812 |
04/10/1945 |
15 Down and 20 Across |
5+ |
– |
– |
| 819 |
22/11/1945 |
Partial Eclipse |
5+ |
– |
– |
| 836 |
21/03/1946 |
8 41 |
5+ |
– |
– |
| 893 |
08/05/1947 |
Triplets |
5+ |
– |
– |
| 912 |
18/09/1947 |
Limericks |
5+ |
– |
– |
| 924 |
11/12/1947 |
Free Association |
5+ |
– |
– |
| 945 |
06/05/1948 |
Doubles |
5+ |
– |
– |
| 949 |
03/06/1948 |
Portrait |
5+ |
– |
– |
| 968 |
14/10/1948 |
Overflow |
5+ |
– |
– |
| 975 |
02/12/1948 |
Figures of Speech |
5+ |
– |
– |
| 994 |
14/04/1949 |
BRTHRS (OE) |
5+ |
– |
– |
| 1008 |
21/07/1949 |
Dog Days |
5+ |
– |
– |
| 1021 |
20/10/1949 |
Roman Style |
5+ |
– |
– |
| 1032 |
05/01/1950 |
Eye-Rhymes |
5+ |
– |
– |
| 1047 |
20/04/1950 |
Space Saver |
5+ |
– |
– |
| 1053 |
01/06/1950 |
Seven Poems in Search of their Authors |
5+ |
– |
– |
| 1067 |
14/09/1950 |
The Dream |
5+ |
– |
– |
| 1073 |
23/11/1950 |
Endless Chain |
5+ |
– |
– |
| 1089 |
15/03/1951 |
SSTRS(IE) |
5+ |
– |
– |
| 1102 |
14/06/1951 |
Symbolical |
5+ |
– |
– |
| 1116 |
20/09/1951 |
Arabic Style |
5+ |
– |
– |
| 1126 |
29/11/1951 |
The Following Have Arrived |
3+ |
– |
– |
| 1147 |
24/04/1952 |
Once Removed |
3+ |
– |
– |
| 1152 |
29/05/1952 |
The Following Have Arrived — II |
3+ |
– |
– |
| 1167 |
11/09/1952 |
Over The Styx |
3+ |
– |
– |
| 1187 |
29/01/1953 |
Elysian Kennel Club |
3+ |
– |
– |
| 1218 |
03/09/1953 |
Threesomes |
3+ |
– |
– |
| 1237 |
14/01/1954 |
Dear Sir, … |
3+ |
– |
– |
| 1257 |
03/06/1954 |
Fragments |
3+ |
– |
– |
| 1276 |
14/10/1954 |
‘Ars est celare artem’ |
3+ |
– |
– |
| 1286 |
23/12/1954 |
Christmas Pie |
3+ |
– |
– |
| 1301 |
07/04/1955 |
Bird Song |
3+ |
– |
– |
| 1312 |
23/06/1955 |
The Gamut |
3+ |
– |
– |
| 1337 |
15/12/1955 |
Threes Out |
3+ |
– |
– |
| 1350 |
12/04/1956 |
Aeolian |
3+ |
– |
– |
| 1369 |
23/08/1956 |
Overlaps |
3+ |
– |
– |
| 1382 |
22/11/1956 |
Overlaps — II |
3+ |
– |
– |
| 1395 |
21/02/1957 |
Diametricode |
3+ |
– |
– |
| 1407 |
16/05/1957 |
Diametricode — II |
3+ |
– |
– |
| 1413 |
27/06/1957 |
Solver’s Plea |
3+ |
– |
– |
| 1440 |
02/01/1958 |
New Year Resolutions |
3+ |
– |
– |
| 1452 |
27/03/1958 |
Who’ll Buy? |
3+ |
– |
– |
| 1461 |
29/05/1958 |
6.45 |
3+ |
– |
– |
| 1471 |
07/08/1958 |
Diametricode — III |
3+ |
– |
– |
| 1490 |
18/12/1958 |
Gilbertian |
0 |
– |
– |
| 1504 |
26/03/1959 |
Nymphaeum |
3+ |
– |
– |
| 1514 |
04/06/1959 |
On Stated Terms |
3+ |
– |
– |
| 1523 |
06/08/1959 |
~ |
3+ |
– |
– |
| 1546 |
14/01/1960 |
Poems by Various Hands |
3+ |
– |
– |
| 1557 |
31/03/1960 |
Cnsnnts (ooa) |
3+ |
– |
– |
| 1570 |
30/06/1960 |
Baloney |
3+ |
– |
– |
| 1578 |
25/08/1960 |
Jigsaw |
3+ |
– |
– |
| 1595 |
22/12/1960 |
A Christmas Story |
3+ |
– |
– |
| 1606 |
09/03/1961 |
Tailpieces |
3+ |
– |
– |
| 1616 |
18/05/1961 |
Bird’s Eye |
3+ |
– |
– |
| 1626 |
27/07/1961 |
Tailpiece — II |
3+ |
– |
– |
| 1648 |
28/12/1961 |
Poetaster |
3+ |
– |
– |
| 1657 |
01/03/1962 |
Tailpiece — III |
3+ |
– |
– |
| 1683 |
30/08/1962 |
Middle Ages |
3+ |
– |
– |
| 1691 |
25/10/1962 |
‘How Beautiful They Are!’ |
3+ |
– |
– |
| 1698 |
13/12/1962 |
Beaune for Dog |
3+ |
– |
– |
| 1704 |
24/01/1963 |
Space-saver — II |
3+ |
– |
– |
| 1726 |
27/06/1963 |
As the Highwayman Said |
3+ |
– |
– |
| 1733 |
15/08/1963 |
Dog Days — II |
3+ |
– |
– |
| 1743 |
24/10/1963 |
The Following Have Arrived — III |
3+ |
– |
– |
| 1754 |
09/01/1964 |
Overlaps — II |
3+ |
– |
– |
| 1786 |
20/08/1964 |
Happy families |
3+ |
– |
– |
| 1795 |
22/10/1964 |
Popular mystery |
3+ |
– |
– |
| 1812 |
18/02/1965 |
Diametricode — III |
3+ |
– |
– |
| 1821 |
22/04/1965 |
Con-man’s career |
3+ |
– |
– |
| 1833 |
15/07/1965 |
Roman style — II |
3+ |
– |
– |
| 1840 |
02/09/1965 |
Operatic |
3+ |
– |
– |
| 1853 |
02/12/1965 |
Tailpiece — IV |
3+ |
– |
– |
| 1861 |
27/01/1966 |
Arabic style — II |
3+ |
– |
– |
| 1877 |
19/05/1966 |
Eponymous |
3+ |
– |
– |
| 1884 |
07/07/1966 |
Word to the wise |
3+ |
– |
– |
| 1894 |
15/09/1966 |
Diametricode — IV |
3+ |
– |
– |
| 1907 |
15/12/1966 |
15A (8) |
3+ |
– |
– |
| 1918 |
02/03/1967 |
Double quits |
3+ |
– |
– |
| 1933 |
15/06/1967 |
Bilingual |
3+ |
– |
– |
| 1943 |
24/08/1967 |
Diametricode V |
3+ |
– |
– |
| 1951 |
19/10/1967 |
Soft answers |
3+ |
– |
– |
| 1969 |
22/02/1968 |
Bits and Pieces |
3+ |
– |
– |
| 1985 |
13/06/1968 |
CSUCCT |
3+ |
– |
– |
| 1998 |
12/09/1968 |
Seconds |
3+ |
– |
– |
| 2017 |
23/01/1969 |
Spoilt Child |
3+ |
– |
– |
| 2040 |
03/07/1969 |
Diametricode VI |
3+ |
– |
– |
| 2054 |
09/10/1969 |
Toil and Trouble |
3+ |
– |
– |
| 2076 |
12/03/1970 |
1D 65A |
3+ |
– |
– |
| 2093 |
09/07/1970 |
Nocturne |
3+ |
– |
– |
| 2109 |
29/10/1970 |
Lost Alphabet |
3+ |
– |
– |
| 2126 |
25/02/1971 |
Common Ends |
3+ |
– |
– |
| 2139 |
27/05/1971 |
Fourshortened |
3+ |
– |
– |
| 2153 |
02/09/1971 |
Half-Seas-Over |
3+ |
– |
– |
| 2170 |
30/12/1971 |
Columnist |
3+ |
– |
– |
| 2184 |
06/04/1972 |
Diametricode — VII |
3+ |
– |
– |
| 2198 |
13/07/1972 |
Roman Style — III |
3+ |
– |
– |
| 2211 |
12/10/1972 |
Arabic Style — III |
3+ |
– |
– |
| 2223 |
04/01/1973 |
Heads and Tails II |
3+ |
– |
– |
| 2238 |
19/04/1973 |
Bridging the Gap |
3+ |
– |
– |
| 2253 |
02/08/1973 |
Recommended Accommodation |
3+ |
– |
– |
| 2258 |
06/09/1973 |
Overlaps III |
3+ |
– |
– |
| 2274 |
27/12/1973 |
Heads or Tails |
3+ |
– |
– |
| 2284 |
07/03/1974 |
Three in One |
3+ |
– |
– |
| 2291 |
25/04/1974 |
Heads and Tails III |
3+ |
– |
– |
| 2311 |
12/09/1974 |
Diametricode VIII |
3+ |
– |
– |
| 2320 |
14/11/1974 |
Space-saver III |
3+ |
– |
– |
| 2326 |
02/01/1975 |
Revised version |
3+ |
– |
– |
| 2335 |
06/03/1975 |
General exodus |
3+ |
– |
– |
| 2349 |
17/07/1975 |
Overlaps V |
3+ |
– |
– |
| 2365 |
11/12/1975 |
Jane |
3+ |
– |
– |
| 2375 |
11/03/1976 |
Overlaps VI |
3+ |
– |
– |
| 2380 |
29/04/1976 |
The following names |
3+ |
– |
– |
| 2402 |
18/11/1976 |
16D(8) 39D(8) |
145 |
54 |
199 |
| 2424 |
16/06/1977 |
Triplet |
166 |
37 |
203 |
| 2432 |
25/08/1977 |
Diametricode — IX |
282 |
38 |
320 |
| 2447 |
12/01/1978 |
Three-in-one — II |
225 |
42 |
267 |
| 2461 |
25/05/1978 |
Heads and tails IV |
203 |
24 |
227 |
| 2475 |
05/10/1978 |
Heads and tails V |
342 |
13 |
355 |
| 2493 |
15/03/1979 |
Decade |
234 |
23 |
257 |
| 2500 |
24/05/1979 |
Floreat in Aeternum |
– |
– |
370 |
| 2506 |
19/07/1979 |
Review |
386 |
22 |
408 |
| 2532 |
24/01/1980 |
Diametricode X |
441 |
38 |
479 |
| 2577 |
11/12/1980 |
Minus Three |
251 |
89 |
340 |
| 2617 |
15/10/1981 |
Jigsaw II |
260 |
75 |
335 |
| 2645 |
06/05/1982 |
Three in One III |
235 |
31 |
266 |
| 2669 |
21/10/1982 |
Three in One IV |
266 |
28 |
294 |
| 2708 |
18/08/1983 |
The Missing Hawk |
338 |
11 |
349 |
| 2730 |
09/02/1984 |
Threes Away |
341 |
18 |
359 |
| 2779 |
17/01/1985 |
Clerimuse |
458 |
55 |
513 |